Get ready to witness a heartwarming story of cultural preservation and personal tribute as a group of Gaelic psalm singers from the Borders prepares to captivate audiences on the big screen. But here’s where it gets emotional: this isn’t just about music—it’s a son’s heartfelt homage to his late father, the celebrated poet Aonghas Dubh MacNeacail, who passed away in 2022. The documentary, Psalms of the People, premieres at the Glasgow Film Festival this Sunday, offering a rare glimpse into a tradition that’s both deeply personal and universally resonant.
The journey began at a memorial service for MacNeacail, where his son, Rob MacNeacail, felt compelled to include Gaelic psalms as a tribute. This decision sparked the formation of a singing group in Carlops, a community not traditionally associated with the Gaelic language. And this is the part most people miss: despite its roots in a specific cultural context, the group’s music has transcended boundaries, drawing in participants from diverse backgrounds, including adults with learning difficulties in a local residential community.
Rob’s collaboration with filmmaker Jack Archer wasn’t initially focused on the Borders. They explored other areas before realizing the rich story unfolding in Carlops. “The group was gaining momentum, and Jack’s visits to capture its essence eventually led us to create this documentary,” Rob explained. The process, while challenging, has been deeply rewarding. “It was an intense way to process my father’s loss, but also a privilege to honor him through this tradition,” he added.
Here’s where it gets controversial: While Gaelic is often associated with specific regions, Rob argues that its appeal is growing across Scotland. “The psalms are incredibly accessible, and Gaelic itself is becoming more appealing as people recognize the benefits of bilingualism and the cultural wealth it unlocks,” he said. This raises a thought-provoking question: Can Gaelic traditions thrive in unexpected places, and what does this mean for the language’s future?
The documentary also highlights the tight-knit community of Carlops, where singing has become a bridge between villages. “It’s an amazing community,” Rob noted, “and our songs have helped us connect with people from neighboring areas.” Yet, as the film’s premiere approaches, Rob admits to feeling nervous. “Being in front of the camera wasn’t something I’d planned, but I’m proud of what we’ve achieved,” he said. “I’m most excited to see the people of Carlops on screen—it’s a place my family has cherished for 30 years.”
As Psalms of the People prepares to debut, it invites audiences to reflect on the power of tradition, the resilience of community, and the enduring impact of personal legacies. But here’s the real question: Can a documentary about Gaelic psalms in a small Borders village spark a broader conversation about cultural preservation and identity? Let us know your thoughts in the comments—we’d love to hear your take on this inspiring story.
